Extra Bodies: The Use of the 'Other Body' in Contemporary Art at Migros Museum with Guy Ben-Ner

Opening November 18, 2017 

Nick Albertson Solo Exhibition at SFO Museum San Francisco

Opening December 5, 2017

UNTITLED Miami Beach Booth D-12 with Díaz Lewis

December 6, 2017 - December 10, 2017

NGV Triennial in Melbourne with Einat Amir

Opening December 15, 2017 

Concurrent institutional exhibitions:

Thessaloniki Biennale in Thessaloniki, Greece with Einat Amir

September 30, 2017 - January 14, 2018

Materialkink at The Leather Archives with James Murray

June 30, 2017 - January 14, 2018

I Have Vivid Memories of Lightning at Donnelley Foundation with Iris Bernblum  

July 7 – December 15, 2017


 Alejandro Figueredo Díaz-Perera reviewed in Chicago Tribune, 11/9

 Alejandro Figueredo Díaz-Perera in Bad at Sports Top 5 Weekend Picks, 11/3

 Alejandro Figueredo Díaz-Perera highlighted in Long Beach Post, 9/23

 Alejandro Figueredo Díaz-Perera highlighted in Farber Foundation Cuban Art News, 9/21

 Aspect/Ratio in Chicago Architecture Biennial part of Bad at Sports Top 5 Weekend Picks, 9/14

 Alejandro Figueredo Díaz-Perera highlighted in Curator Love, 9/14

 Jefferson Godard highlighted part of Visual Vanguard Art 50 in New City, 9/1

 Sabina Ott interviewed in Chicago Gallery News, 8/30

 Iris Bernblum profiled in Rainbowed, 5/31

 Díaz Lewis highlighted in Writing on Performance, 6/14

 Iris Bernblum in Bad at Sports Top 5 Weekend Picks, 5/5

 James Murray hightlighted in Blouin Artinfo, 4/5

→ Díaz Lewis reviewed in Hyperallergic for Making Plans at Human Resources, Los Angeles, 3/23

→ James Murray in Mutual Art Top 10 Shows Internationally, 3/16

→ James Murray in Bad at Sports Top 5 Weekend Picks, 3/16

→ Orr Menirom reviewed in Metropolism Magazine, Maastricht, the Netherlands 3/10

→ Einat Amir highlighted in TimeOut Melbourne for NGV Triennial, 2/27

→ En Face hightlighted in Blouin Artinfo, 2/18

→ Einat Amir will be participating in the inaugural NGV Triennial in Melbourne, 2/15

→ En Face is reviewed in Visual Art Source, 2/3